Analysis of After Great Pain A Formal Feeling Comes by Emily Dickinson :: essays research papers

In After great pain, a formal feeling comes(341), Emily Dickinson offers the reader a transitus observation of the time retributive after the death of a loved one. Dickinson questions where one goes in the futurity asking, Of Ground, or Air or somewhere else (line 6) We often remember those who die forrader us, as we ourselves, as morbid as it may be, with everyday, are brought surrounding(prenominal) to our own deaths. As used in most of her poetry, she continues in iambic meter with stressed then unstressed syllables. Dickinson, however, straying away from her norm of 8-6-8-6 syllable lines repeating, uses a seemingly random combination of ten, eight, six, and four syllables, with the entire archetypal stanza of ten syllables per lines. Line three lends itself to ambiguity as Dickinson writes, The stiff totality questions was it He, that bore, he, refers to the heart, yet she doesnt specify exactly what he bore. Dickinson refers to the Quartz grave growing out of the ground as one dies, lending itself to a certain imagery of living after death (lines 8-9). Although the poem holds no humor, she stretches to get word what goes on after death. As we get to the end of the process of let go of the one dying, Dickinson reminds us of the figurative and literal frigorificness of death. The cold symbolizes an emotion and lifeless person as well as the wish of blood circulation. Bringing reference her off syllable lines, the author of Dickinsons Fascicles, says the first stanza is held unneurotic by the structured iambic pentameter, in addition to using rime couplets as in, ?Bore? and ?before.? Due to Dickinson?s submergence in nature, she punctuates native matter, with both her use and capitalization of ?Heart? and ?Nerves.? Although she draws attention to those of which are organic, she shifts to emphasize those of which are inorganic, for those of ?Ground,? ?Air,? and ?Quartz.? Analyzing the two four syllable lines, ?A Wooden way/ unheed ing grown? (7-8), the way can be viewed as an insincere distress path that society attempts to set individuals toward to cope with their emotions during troubled times. Wood, even though an organic matter is used negatively here to describe an synthetic reconstruction of this natural element into a coffin. Looking further at an inorganic element, quartz, it signifies the sharp pain of a loss.