The Road Not Taken And Stopping By Woods On A Snowy Evening - Analysis

Robert Lee hoarfrost (born in San Francisco, March 26, 1874 and died in Boston, January 29, 1963) was ace of Americas leading 20th-century poets and a four-time winner of the Pulitzer Prize. Although his verse forms atomic number 18 traditional, he was a pioneer in the interplay of rhythm and meter and in the poetical design of the vocabulary and inflections of everyday speech. His poesy is thus both traditional and experimental. after(prenominal) Frosts father died in 1885, the family left California and colonised in Massachusetts. From 1897 to 1899 he attended Harvard College as a special student, further left without a degree. Over the next ten years he wrote ( hardly rarely published) poems, operated a farm in Derry, New Hampshire (purchased for him by his grandfather), and supplemented his income by teaching. In 1912 he sold the farm and used the proceeds to conduct his family to England, where he could devote himself entirely to writing. His efforts to establish hims elf and his work were almost at present successful. A Boys Will was accepted by a London paper and brought out in 1913, followed a year freshr by labor union of Boston. In 1924 he received a Pulitzer Prize in poetry for New Hampshire (1923). He received it again for Collected Poems (1930), A farther Range (1936), and A Witness Tree (1942). Over the years he received an unprecedented number and range of literary, academic, and public honors. 1The passageway Not TakenAlthough I must admit that I am not a poetry fan, many of the poems of Robert Frost appeal to me, and this would hold back to be the one that appeals the most, in other words, it is my favorite poem. When I firstly read this poem, I liked it because of its free verse style (which I like) and its apparent simplicity, but, after much study, its true meaning became apparent. The obvious elementary meaning is that the poem is about a persons choices in life. The narrator describes coming to a problem with the fork in the thoroughfare. He must go down one but feels he allow not be able to take back his decision. He looks to catch up with the pros and cons of each choice, and then takes the one that he says the least had traveled. He leaves the resolution up to the reader and the sigh at the end backside be taken as good or bad. This leaves the reader the choice of deciding whether it is better to conform with society or rebel like Frost did and take up a less stable trade. However, there are many places to which... ..., he is far away from the city, and the city is like a synonym for life and one of the opposites of life is death. Another closely colligate typesetters case of symbolism is Between the woods and the frozen lake. The woods are now a symbol of life a change from the previous(prenominal) example and the frozen lake, devoid of life, is a symbol of death. The final example of symbolism is an obvious one in which death is compared to sleep. Frosts difference (The Road not Tak en ln20) was always in him. This can be seen long before he starts his actual writing career. succession he learned to read at a very late age of 14, he had already sold a poem at the age of 15. The road that Frost took was not only the different road and the right road for him, but also the only road that he could possibly have taken. The Road Not Taken and the often-studied Stopping by Woods on a Snowy Evening exemplify Frosts energy to join the pastoral and philosophical modes in lyrics of unforgettable beauty1. Frosts poetic and political conservatism caused him to lose favor with some literary critics, but his reputation as a major poet is secure. He unquestionably succeeded in realizing his lifes ambition to write.