Wolff’s Critique of Chopin’s The Awakening Essays -- Chopin Awakening

Wolffs Critique of Chopins The Awakening The vituperative type study to the novel establishes a definition of a type of critical response, and then gives as close an example that fits that mode of blame verbose First, the have has these forms of criticism laid let out contiguously, as if they occurred only spatially and not temporally. This flattened and skewed representation of critical getes, taking an product line out of its context (an academic debate) and uses it as if it were a pedagogical tool. adept as criticism in many ways takes the life out of the text, by dissecting it and making it a part of an argument, the model critical approach takes the life out of criticism. It is interesting to see how the contrary Case Studies in Contemporary Criticism ar altered by the text they are describing. For example, I have one volume on Portrait of an mechanic as a Young Man, and another for Great Expectations, twain of which evince the extent to which the object of critique affects the critique itself, such that deconstruction criticism in an intellectual vacuum is something different than when a scholar tries to defend it to a particular text, altering both the text as puff up as the principles of deconstruction. The Awakening gender criticism takes on a different feel from Great Expectation gender criticism even though they are informed by the same principles, because gender in the ahead of time Victorian Dickens is different than in the turn of the century American Chopin. In this way the criticism co-constructs with the primary document something different than both the criticism and the original text. Such a syntheses have produced exciting and ripe ideas, refreshing and reviving works from the tombs of academia. Unfor... ... is also a politics involving strong becomings, an entire becoming clandestine. (A Thousand Plateaus 188)Finally, the sea is a common human body for mother, and maternalthat from which life springs. We are presented wi th Edna running away from Protestant lodge (the dynamo, the father) to Catholic Creole society (the earth-goddess transformed into the Madonna). She runs away from her father, and at that place is no mother for her to run towards except the archetypal sea. If these mythic formations pronounce anything, the novel says something about Ednas own lost mother. Is the tragedy of the book that this mother is never found even though Edna followed the trail to the fusty fragrance? Is the tragedy of the story Ednas mother died giving fork up to Edna, leaving Edna with only one memory of her motherthe musty scent of childbirth? Does this inform her attitudes toward motherhood?