Methods Of Montage In Battleship Potemkin Film Studies Essay

Methods Of montage In action charge Potemkin contract Studies EssayI am a huge movie buff. I anticipate big blockbuster hits and save up the m unrivaledy for the admission at the movie theater. Film strips atomic number 18 made up of still frames that when projected at an modal(a) of twenty-four frames a second tump oers the illusion of movement and continuity. Many films drop different elements in their frames whether it is between fissures or within them. This is an example of Montage. In this paper I depart attempt to discuss montage, the film Battle enchant Potemkin, analyze Eisensteins methods of montage he employ for the film, and come up with an liking as to how to transform this historical piece on to theater stage.Montage is the joining to touch onher of different elements of film in a smorgasbord of counselings, between shots, within them, between sequences, within these. During the 1920s Russian filmmaker Sergei Eisenstein, who is considered the father of montage, created five methods to montage. These methods ar metric, rhythmic, fresh, all overtonal, and skilful montage. With these methods Eisenstein was able to change the way a scene was brought to life in film.Metric montage is when pieces be joined together according to their lengths, in a practice-scheme corresponding to a measure of music. Realization is in repetition of these measures. Tension is obtained by the entrap of mechanical acceleration by shortening the pieces while preserving the original proportions of the formula (Eisenstein Leyda pg73). When cutting to the next shot, no matter what was happening to the next image, it was used to bring by the most basal and delirious reactions from the audience.With rhythmic montage the length of the pieces, the content with in the frame is a factor possessing pertain rights to consideration. Abstract determination of the piece-lengths gives off to a flexible relationship of the true lengths (Eisenstein Leyda pg7 4). With this type of montage, it is based on timing of the visual composition of the shots to flummox a more complex meaning than with metric montage.In tonal montage the movement is perceived in a wider sense. The concept embraces each effects of the montage piece. Here montage is based on the characteristics of emotional sound of the piece-of its dominant (Eisenstein Leyda pg75). Just like metric montage the shot is used to make a reaction to the audience. Only difference is that tonal montage uses shots that bring on emotion.Overtonal montage is an accumulation of the previous three montages. And give the audience an even more abstract and complicated reaction. Overtonal montage stairs up the impression from a melodically emotional coloring to a directly psychological perception (Eisenstein Leyda pg78).The last is intellectual montage. This method of montage is sounds and overtones of an intellectual sort i.e., conflict-juxtaposition of accompanying intellectual affects (Ei senstein Leyda pg82). With these shots combined you get an intellectual image.It starts out in act I, named Men and Maggots, it is June of 1905, and the armored battle ship Potemkin is near Odessa on the Black Sea returning by and by Russias thrashing in the Russo-Japanese war. on that point are many straw hats that are sleeping in their cumulations. A petty policeman walks in checking on therm. One of the sailors that are sleeping with a shoulder and arm hanging away(p) his hammock is in the way of the off-keyicer who is trying to get with. When the officer cannot get through he reacts by whipping the young man. close to of the another(prenominal) sailors wake up this act. In the morning, the ships cook has displayed large pieces of marrow squash outside the ships kitchen. The sailors saw this kernel hanging and began talking and pointing to the meat and calling others to look. An officer on a railing higher up notices the sailors around the meat and the sailors start t o complain to him that the meat is rotten. The officer calls the ships doctor, who goes experience to check out the meat. The ships doctor after looking carefully at the meat says that the meat is not rotten it has no worms, only maggots that can be process out with brine. The cooks prepare to serve a meal on tabulate tops that hang from ropes in the ceiling. Large steel bowls are placed on the tables and soup is the only food that is being served. Some sailors do not eat the soup. Later it is maken a sailor is in the kitchen washing dishes after the meal. One dish had an inscription that read travel by Us This Day Our Daily Bread. The sailor washing the dish relieve oneself it for a moment, read it again, and then smashes it. The sailors who were on wash duty walks off from their work stations. In the next scene of we see a hooking of sailors at the ships commissary buying many cans of food. One of the higher ranking officers notices this and continues paseo by. One point t alking on one of the decks below, sailor Vakulinshuk says the manipulation on the boat was worse than being a POW in a Japanese camp. Other sailor talked about the overall treatment.In Act II named Drama at the Harbour, it is all hands on deck as Captain Golikov comes up from a trap gateway to discipline the men that did not eat the soup. He says that there will be no disobedience or strike or that he will hang invariablyyone in the ship if it is. Then the captain asks who ever at the soup with the rotten meat to step under the cannons to show their loyalty. All and a group of fifteen shows their loyalty. The captain decides that he wants to kill the fifteen for not eating the soup. The group tries to escape exclusively the other officers step in their way. The captain throws a tarpaulin over them, making it easier for the other sailors to shoot the fifteen sailors. When the Captain gives the order to shoot, seafarer Vakulinchuk stops the firing squad from executing the other sailors. Vakulinchuck gives a pitch encouraging the shipmates to stand up and rebel against those who oppress them which would be the officers of the ship. age this is going on the captain is repeating the firing order but it is not carried out. Vakulinchuk and the other shipmates get together and turn on the officers. There is a chase after the officers and when caught they are thrown overboard, the doctor as well. The ships priest appears and plays possum when he gets pushed down the stairs pretending to be dead. Before being thrown overboard, one of the officers is able to grab a gun and shoots Vakulinchuk. Vakulinchuk falls from a high point of a ship on to a tackle and then tumbles into the water. The shipmates shout that Vakulinchuk has gone overboard and a couple of sailors jump in to save but it is besides late as his be is brought back on the ship. Vakulinchuks death bonds the shipmates together.In Act III, A Dead Man Calls for Justice, The Potemkin is under the control of the sailor s and they dock at the port of Odessa. Vakulinchuks body is taken to the down and laid under a tent that is set up on the pier. Vakulinchuk is holding a candle with a sign on his breast reading KILLED FOR A BOWL OF SOUP. There is talk amongst the mint in the local area in small groups about Vakulinchuk. An obnoxious appendage of the bourgeoisie heckles a woman protester. During another heated discussion someone in the crowd says kill the Jews But the majority of the citizens of Odessa get devil up and decided to destroy the oppressors and help the sailors who rebelled on the Potemkin. Large add up of the citizens bring food to the battleship to support the crew.In Act IV, The Odessa Staircase, after they given the sailors quality food, many of the townspeople have gathered along the long and wide flight of stairs overlooking the harbor atomic number 82 down towards the piers. In good moral, shouting encouragements towards the ship. All ages of men, women, and c hildren of all ages have come to see what is going on. Then out of nowhere, troops in white tunics show up at the top of the stairs belatedly marching down the stairs. People start to scramble as the soldiers began their infract on the innocent men, women, the elderly, and children. Countless people scramble down the steps to get to the side. Some elderly people hide behind walls as the soldiers continue to slaughter the people fleeing. A woman who carried her dead intelligences body in her arms walks up to the soldier s telling them that her son is very ill expecting to let her pass. A second later people look in fear as she is gunned downed. People step over others who have fallen, dead or alive. We even see the soldiers stepping on a small child. One woman had a bullet shot through one lens in her glasses. Another victim included in this massacre was a mother who was pushing a baby in a carriage. As she falls dead, she hits the carriage on the way down to the ground. The carri age starts to make its way down the steps as looker-on watch the carriage travel untouched. Then soldiers on horseback fuck off at the bottom of the steps to finish the innocent off.In the utmost act, ACT VThe Rendezvous with a Squadron, The sailors who have taken over the Potemkin mend their battle stations and turn their guns on the buildings that might have held Tsarist soldiers but by then the massacre on the stairs is over leaving only the soldiers standing. The sailors of Potemkin then sail out to sea to avoid an attack from the shore when suddenly a squadron of warships has a physical body headed straight toward the Potemkin to take it back. The crew of the Potemkin expected this and some mend observation tower duty. Other sailors of the Potemkin try to sleep. They are soon woken up and mend battle stations as multiple ships are sighted far away on the horizon. As the ships get close, the Potemkin send a sort of international Morse code code to the other ships crews to t reat them as brothers. Potemkins cannons, despite being outnumbered, are aimed at the other ships as in an attempt at one last hurrah. But when the ships get into range, the ships allowed the Potemkin to pass through. The crew of the Potemkin celebrates and they come on deck waving at the others ships, as they do the same, when the ships cross in opposite direction.As I was watching Battleship Potemkin, I judgement about how I could transfer this film on to the stage and the maiden thing that came to mind was how you (as in you Joseph) and Lucius set up Vertigo. From a practiced stand point, I would use only a limited number of technology if space was limited to me. If I was to put this play in swain, I would use the projectors to display and identify what scene the actors were in on the back curtain.